The Academy

The Academy versus the box office: how Best Picture winners stopped being hits, decade by decade — and where the Academy's nominees are born, from a Hollywood company town to a global institution.

The Academy vs the box office

Share of Best Picture winners that were also top-ten grossers of their year. The Academy and the audience agreed for half a century — every 1970s winner was a box office hit — then parted ways: not one 2010s Best Picture cracked its year's top ten worldwide.

100%
1920s
78%
1930s
70%
1940s
80%
1950s
90%
1960s
100%
1970s
50%
1980s
70%
1990s
20%
2000s
0%
2010s
17%
2020s

Blue decades: the winner was usually a hit. Red: prestige and popularity had split.

The last twenty winners

One Battle after Another 2025outside the top ten
Anora 2024outside the top ten
Oppenheimer 2023#3 grosser of its year
Everything Everywhere All at Once 2022outside the top ten
CODA 2021outside the top ten
Nomadland 2020outside the top ten
Parasite 2019outside the top ten
Green Book 2018outside the top ten
The Shape of Water 2017outside the top ten
Moonlight 2016outside the top ten
Spotlight 2015outside the top ten
Birdman or (The Unexpected Virtue of Ignorance) 2014outside the top ten
12 Years a Slave 2013outside the top ten
Argo 2012outside the top ten
The Artist 2011outside the top ten
The King's Speech 2010outside the top ten
The Hurt Locker 2009outside the top ten
Slumdog Millionaire 2008outside the top ten
No Country for Old Men 2007outside the top ten
The Departed 2006outside the top ten

Where the Academy's nominees are born

Share of Oscar nomination slots by nominees' birthplace, per decade. The American share has fallen from three-quarters in the 1950s to under half in the 2020s — the Academy's slow globalisation, visible in one chart.

0%20%40%60%80%1920s1930s1940s1950s1960s1970s1980s1990s2000s2010s2020s
United StatesUK & IrelandContinental EuropeRest of the world